DATA FIELDS 002, ACRYLIC ON CANVAS, 17" x 17", 2023

UNTITLED ENCRYPTION KEY (WARM), ACRYLIC AND DYE ON CANVAS, 20" x 20", 2023 UNTITLED ENCRYPTION KEY (WARM), ACRYLIC AND DYE ON CANVAS, 20" x 20" x 1.5" UNTITLED ENCRYPTION KEY (WARM), ACRYLIC AND DYE ON CANVAS, 20" x 20" x 1.5"

UNTITLED ENCRYPTION KEY (COOL), ACRYLIC AND DYE ON CANVAS, 20" x 20", 2023 UNTITLED ENCRYPTION KEY (COOL), ACRYLIC AND DYE ON CANVAS, 20" x 20" x 1.5" UNTITLED ENCRYPTION KEY (COOL), ACRYLIC AND DYE ON CANVAS, 20" x 20" x 1.5"

DOWNLOAD SEQUENCE INITIATED, ACRYLIC ON CANVAS, 30" x 34", 2025

MODULE DISTORTION, ACRYLIC ON CANVAS, 30" x 34", 2025

RANDOMLY GENERATED SEQUENCE 001, ACRYLIC ON CANVAS, 30" x 34", 2023

NETWORK TERMINAL, ACRYLIC ON CANVAS, 20" x 20", 2025

NETWORK STUDY, ACRYLIC ON CANVAS, 14" x 12.5", 2024

I’M CONSTANTLY FASCINATED WITH THE PHYSICAL AND DIGITAL
INFRASTRUCTURE USED TO CREATE, STORE, AND RELAY INFORMATION
ACROSS THE GLOBE - AND HOW MUCH IS OUT OF SIGHT AND OUT OF
MIND. THESE WORKS ARE AN ABSTRACT DEPICTION OF MY ATTEMPT
TO UNDERSTAND AND MAKE VISIBLE THESE UNSEEN PROCESSES.

A FEW THINGS I REGULARLY THINK ABOUT: USING ATMOSPHERIC
NOISE TO GENERATE RANDOM NUMBERS, IAN MALCOLM TALKING
ABOUT CHAOS THEORY IN JURASSIC PARK, DNA SEQUENCING, SERVER
FARMS, TELECOMMUNICATION CABLES ON THE OCEAN FLOOR, HOW
DOES THE INTERNET EVEN WORK? WHO OWNS MY DATA?
Mark

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